If your favorite music group/artist was to publish a comic based on it's music, who would you pick to illustrate the book? For example, I think Eric Powell would be a great fit for a comic written by Tom Waits.
I wouldn't even know who to pick as my favorite band let alone pick an illustrator.
And just as I typed that it came to me and it came to me
I would want a fully painted book done by Alberto Vargas for The Cars. That Candy-O album cover :x Vargas being no long with us, I would otherwise look at whomever is great at a pop art style. My knowledge of illustrators is not too great.
I can't pick one favorite band, so I'll list a few of my faves:
The Beatles: I'd go with J.H. Williams III because he can do a wide variety of styles, from clean to psychedelic. The Replacements: Maybe Jeff Lemire. Westerberg kinda looks like he was drawn by Jeff these days—a little rough around the edges. Fugazi: Guy Davis and punk go hand in hand. Cake: Cliff Chiang’s clean and open style seems suitable.
I'm not a huge Grateful Dead fan, but does anyone remember this?:
I picked it up as it came out for my step-father, who is a Deadhead. Tim Truman was perfect for that book, and did a great job with it.
I've always been a huge Elvis Costello fan. His last couple of Albums have featured art by cartoonist Tony Millionaire of Maakies fame. I think he'd be a pretty good fit for adapting Mr Costellos work.
P Craig Russell has always had a thing for the opera and has done several comics adapting selected pieces. I gave a friend, who is a huge opera fan, a hardcover collection of Russell's opera stories. Beautifully drawn book.
While I enjoyed Roy Thomas and Gil Kane’s approach to Wagner’s Ring Cycle, Russell definitely gave it greater sense of operatic grandeur that was much closer to the spirit of the music.
To illustrate the sequential adventures of Jethro Tull during their early blues period, I'd want an indy artist with a gritty, wonky, "urban" sort of style--perhaps Jim Mahfood. To draw Tull comics based on the group's output from "Aqualung" on, however, I think the best choice would be James A. Owen of Starchild (thanks, @ChrisBeckett!). His work shows roughly the same range of subjects and moods, from grandiose to mystical to cryptic to jocular to vulgar, as can be found in Tull's music; his style effortlessly evokes the sort of wild Dickensian (or earlier) rusticity the band affected throughout the '70s; but most importantly, he's shown himself quite proficient at drawing eccentric-looking chaps with heavy beards. :D
To draw Tull comics based on the group's output from "Aqualung" on, however, I think the best choice would be James A. Owen of Starchild (thanks, @ChrisBeckett!). :D
Comments
And just as I typed that it came to me and it came to me
I would want a fully painted book done by Alberto Vargas for The Cars. That Candy-O album cover :x Vargas being no long with us, I would otherwise look at whomever is great at a pop art style. My knowledge of illustrators is not too great.
The Beatles: I'd go with J.H. Williams III because he can do a wide variety of styles, from clean to psychedelic.
The Replacements: Maybe Jeff Lemire. Westerberg kinda looks like he was drawn by Jeff these days—a little rough around the edges.
Fugazi: Guy Davis and punk go hand in hand.
Cake: Cliff Chiang’s clean and open style seems suitable.
I'm not a huge Grateful Dead fan, but does anyone remember this?:
I picked it up as it came out for my step-father, who is a Deadhead. Tim Truman was perfect for that book, and did a great job with it.
Then there’s this, which is gorgeous:
ME (and several others) riffing on The Smiths.
Worth every nickel...
To illustrate the sequential adventures of Jethro Tull during their early blues period, I'd want an indy artist with a gritty, wonky, "urban" sort of style--perhaps Jim Mahfood. To draw Tull comics based on the group's output from "Aqualung" on, however, I think the best choice would be James A. Owen of Starchild (thanks, @ChrisBeckett!). His work shows roughly the same range of subjects and moods, from grandiose to mystical to cryptic to jocular to vulgar, as can be found in Tull's music; his style effortlessly evokes the sort of wild Dickensian (or earlier) rusticity the band affected throughout the '70s; but most importantly, he's shown himself quite proficient at drawing eccentric-looking chaps with heavy beards. :D
chris