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NSFW! - Comixology withholds Saga 12 per Apple's policy on sex scenes, then reverses - UPDATED

As reported in The Beat

Apple has refused to carry Saga #12 via any of its app-based platforms because of two small gay sex scenes, writer Brian K. Vaughan has written in a press release. The issue goes on sale tomorrow and will not be available through anything that goes through the App store. However, as Vaughan explains, the issue will still be available through Image and Android apps.

Update, I just flipped through the PDF preview of the book and couldn’t even find the scenes…unless they were removed from the PDF?

Meanwhile, just pick out the violent content that goes through Apple every day and get back to me.

Quoted from BKV's Release:
As has hopefully been clear from the first page of our first issue, SAGA is a series for the proverbial “mature reader.” Unfortunately, because of two postage stamp-sized images of gay sex, Apple is banning tomorrow’s SAGA #12 from being sold through any iOS apps. This is a drag, especially because our book has featured what I would consider much more graphic imagery in the past, but there you go. Fiona and I could always edit the images in question, but everything we put into the book is there to advance our story, not (just) to shock or titillate, so we’re not changing shit.

Apologies to everyone who reads our series on iPads or iPhones, but here are your alternatives for Wednesday:

1) Head over to you friendly neighborhood comics shop and pick up a physical copy of our issue that you can have and hold forever.

2) While you’re at it, don’t forget to support the Comic Book Legal Defense Fund, which helps protect retailers who are brave enough to carry work that some in their communities might consider offensive. You can find signed copies of Saga at the CBLDF site right now.

3) Download the issue directly through sites like https://comics.imagecomics.com or on your non-Apple smartphone or tablet.

4) If all else fails, you might be able to find SAGA #12 in Apple’s iBookstore, which apparently sometimes allows more adult material to be sold than through its apps. Crazy, right?

Anyway, special thanks to Eric Stephenson and everyone at Image for supporting our decision, and for always being so supportive of creators. Sorry again to readers for the inconvenience, but I hope everyone will be able to find an issue that Fiona and I are particularly proud of. And after you do, please check out PanelSyndicate.com, the new digital comics site I own with artist Marcos Martin, which remains 100% uncensored by corporate overlords.
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comicsbeat.com/apple-bans-saga-12-due-to-gay-sex-scenes/

UPDATED-- You can find some updated reporting and clarifications from The Beat here.
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Comments

  • David_DDavid_D Posts: 3,884
    It's a weak sauce move on Apple's part. Especially given the amount of incredibly graphic violence (including sexual violence) already available to be distributed via Comixology apps on their devices.

    And, of course, the fact that a prior issue of Saga had much more, and more graphic, sex in it, albeit straight sex (and, in the context with the story, much of it was nonconsenual sex with slaves raised to be prostitutes) but somehow THIS was too much? Well, the criticism writes itself on that one.
  • David_DDavid_D Posts: 3,884
    I also love (and support) that Vaughan got a plug for Pixelstrips in his press release. I wonder if, between this, and Apple not carrying Sex from Image, more creators will either go to Pixelstrips, or do their own distribution as Martin and Vaughan have.
  • CaptShazamCaptShazam Posts: 1,178
    If there is something questionable in a book, I would rather the buying public vote with their purchases/money if they approve/disapprove rather than some corporate entity deciding for us.
  • John_SteedJohn_Steed Posts: 2,087
    edited April 2013
    this "controversy" makes me love SAGA even more - what a run they have B-)

    and

    @Fade2Black : ^:)^
  • Fade2BlackFade2Black Posts: 1,457
    edited April 2013
    Hmmm.... someone might want to consider revising this thread's title.
    According to Mark Waid's comments on the matter it wasn't Apple's decision at all. Comixology was the party that flagged the content as being a potential breach of terms of service.

    Here's an excerpt, but I encourage anyone who's interested in this incident to read the full text by following the link below.
    Mark Waid said:


    ...I made some more phone calls, I talked to various parties involved, and in one of those rare moments, what they said actually bore out my intuition. Neither Apple nor Comixology “banned” material for depictions of “gay sex,” though God knows that certainly makes a better headline. In reality, Comixology flagged the content as potentially problematic given both Apple’s and their own internal Terms of Service; a decision was made by Comixology to not attempt an end-run around Apple’s (and like it or not, making that decision is their right); Brian misunderstood the why of it and (quite logically) concluded that “gay” was the problem, not “explicit”; he vented; the media jumped on that angle; and Apple was left to ask Comixology why on Earth they were suddenly being besieged by angry customers regarding something they’d not even seen, much less censored. Comixology has since issued a statement clarifying that the decision to hold that issue from Apple was theirs, not Apple’s. (Again, you don’t have to like that decision, but they do have a right to conduct business as they see fit.)...

    ...In all matters creative, never attribute to malice what can be explained by bureaucracy...


    http://thrillbent.com/blog/saga-and-comixology/
  • rebisrebis Posts: 1,820
    Thanks for the link. That answered my question. I couldn't imagine the comic being banned because of "gay" sex. However, after seeing the pages it wouldn't have mattered if the couple was heterosexual. It's knob gobbling with a facial. Of course it was banned.
  • Mr_CosmicMr_Cosmic Posts: 3,200
    edited April 2013
    Yeah, I love Saga but it seems the sexual imagery is getting dangerously close to the "this is too much for me" line.

    Not that I advocate banning the book. If bukake is your thing I guess this was the issue for you.
  • batlawbatlaw Posts: 879
    Never heard of this book. Have no more interest in it now than I did before.

    On a semi related note... Can we all grow our skins back and get over ourselves already?! Please. I'm so ready to find a deserted island somewhere.
  • Fade2BlackFade2Black Posts: 1,457
    batlaw said:

    Never heard of this book. Have no more interest in it now than I did before.

    batlaw, I take it you didn't listen to CGS's annual best of episodes?
    SAGA is actually quite good. It is a mature-themed book, and that may be a turn-off for some, especially younger readers, but if you're of a mature age and a fan of sci-fi/fantasy I would highly recommend giving the first trade a chance, which BTW is a steal at $9.99 for six issues.
  • David_DDavid_D Posts: 3,884
    edited April 2013
    Stories like this are a reminder of how we, culturally, seem to have more of a red line for depictions of sex than of violence.

    When was the last time you heard of a comic not being carried by Comixology because of the explicit nature of the violence?

    Put another way:

    An erect penis? No way.
    Shooting a baby? No problem.


    To me that doesn't seem like the healthiest set of priorities as far as what is allowed and what is taboo.
  • David_DDavid_D Posts: 3,884
    Also there has been some updated and clarifications about who did what, when, and why at The Beat here.
  • Mr_CosmicMr_Cosmic Posts: 3,200
    edited April 2013
    batlaw said:

    Never heard of this book.

    batlaw said:

    Never heard of this book. Have no more interest in it now than I did before.

    batlaw, I take it you didn't listen to CGS's annual best of episodes?

    batlaw, I take it you live under a rock? JK! ;)

  • jaydee74jaydee74 Posts: 1,526
    I read the first trade. Didn't do anything for me personally but that includes a lot of things that many people like. Still, I don't like censorship in any way shape or form so I'm glad you now can get the issue again.
  • hauberkhauberk Posts: 1,511
    David_D said:

    Stories like this are a reminder of how we, culturally, seem to have more of a red line for depictions of sex than of violence.

    When was the last time you heard of a comic not being carried by Comixology because of the explicit nature of the violence?

    Put another way:

    An erect penis? No way.
    Shooting a baby? No problem.


    To me that doesn't seem like the healthiest set of priorities as far as what is allowed and what is taboo.

    I don't disagree with the sex:violence thing but erect penis =/= visual depiction of erect penis during the act of fellatio.
  • David_DDavid_D Posts: 3,884
    hauberk said:

    David_D said:

    Stories like this are a reminder of how we, culturally, seem to have more of a red line for depictions of sex than of violence.

    When was the last time you heard of a comic not being carried by Comixology because of the explicit nature of the violence?

    Put another way:

    An erect penis? No way.
    Shooting a baby? No problem.


    To me that doesn't seem like the healthiest set of priorities as far as what is allowed and what is taboo.

    I don't disagree with the sex:violence thing but erect penis =/= visual depiction of erect penis during the act of fellatio.
    Sure. But that still doesn't nearly equate with an infant being shot through her mother.

    To me.
  • hauberkhauberk Posts: 1,511
    David_D said:

    hauberk said:

    David_D said:

    Stories like this are a reminder of how we, culturally, seem to have more of a red line for depictions of sex than of violence.

    When was the last time you heard of a comic not being carried by Comixology because of the explicit nature of the violence?

    Put another way:

    An erect penis? No way.
    Shooting a baby? No problem.


    To me that doesn't seem like the healthiest set of priorities as far as what is allowed and what is taboo.

    I don't disagree with the sex:violence thing but erect penis =/= visual depiction of erect penis during the act of fellatio.
    Sure. But that still doesn't nearly equate with an infant being shot through her mother.

    To me.
    No arguments here. Seems that it's been that way from the beginning.

    As a society we glorify a detective on NYPD Blue beating a confession out of a perp but freak out a the sight of Dennis Franz's derrière.

    Revel in the destruction of NYC in Armageddon but are scandalized by naughty bits.
  • TorchsongTorchsong Posts: 2,794
    edited April 2013
    It's $5.99 for the trade this month on DCBS. I threw it on my list to see what you kids are going on about. I been readin' manga for years decades so I'm pretty sure there's nothing in there to shock me. :)

    /Now get off my lawn, you whippersnappers!
  • David_DDavid_D Posts: 3,884
    To be clear, I am not saying either should be blocked from the adults that want to buy them. But I find shooting babies far more taboo than sex acts.

    The gatekeepers at Comixology seemed to disagree. And that is in keeping with cultural norms about explicit sex vs. explicit violence.

    I don't think those norms are healthy.
    hauberk said:

    David_D said:

    hauberk said:

    David_D said:

    Stories like this are a reminder of how we, culturally, seem to have more of a red line for depictions of sex than of violence.

    When was the last time you heard of a comic not being carried by Comixology because of the explicit nature of the violence?

    Put another way:

    An erect penis? No way.
    Shooting a baby? No problem.


    To me that doesn't seem like the healthiest set of priorities as far as what is allowed and what is taboo.

    I don't disagree with the sex:violence thing but erect penis =/= visual depiction of erect penis during the act of fellatio.
    Sure. But that still doesn't nearly equate with an infant being shot through her mother.

    To me.
    No arguments here. Seems that it's been that way from the beginning.

    As a society we glorify a detective on NYPD Blue beating a confession out of a perp but freak out a the sight of Dennis Franz's derrière.

    Revel in the destruction of NYC in Armageddon but are scandalized by naughty bits.
    Agreed.

    And to be clear, to the larger discussion, I am not saying either should be blocked from the adults that want to buy them. But I find shooting babies far more taboo than sex acts.

    The gatekeepers at Comixology seemed to disagree. And that is in keeping with cultural norms about explicit sex vs. explicit violence.

    I don't think those norms are healthy.
  • To me it's all about ratings/communication. I don't want to pick up a trade for my neighbor's kid's birthday gift and see this in it. If I know it's labeled "Mature Readers", shame on me, then. I just want to know what I'm buying. Then I can decide for myself.

    The discussion of taboos is very interesting to me, however, because I find that even the CBLDF crowd loses their freaking minds if they see something they strongly disagree with in a comic.
  • Mr_CosmicMr_Cosmic Posts: 3,200
    I would like to apologize to everyone for my spelling error earlier. The word is "bukakke" and not "bukake." I hope nobody was offended. Thank you.

    #:-S <- hehe
  • jaydee74jaydee74 Posts: 1,526
    edited April 2013
    I've got a question and it's mostly to do with the fact that I'm not all that famliar with the characters. Did the guy with the television for a head need to have that particular scene showne shown? Is it part of his characterization? Does it move the story forward? Do people of his particular kind just like to have gay porn on their television heads? Again, I just ask cause I don't get the character so maybe someone can explain it to me because without knowing the context of the scene or the character, I could just assume it's a shocking panel for the sake of being shocking.
  • David_DDavid_D Posts: 3,884
    edited April 2013

    To me it's all about ratings/communication. I don't want to pick up a trade for my neighbor's kid's birthday gift and see this in it. If I know it's labeled "Mature Readers", shame on me, then. I just want to know what I'm buying. Then I can decide for myself.

    The discussion of taboos is very interesting to me, however, because I find that even the CBLDF crowd loses their freaking minds if they see something they strongly disagree with in a comic.

    In this case, the print and digital versions are labeled for mature readers (in fact the Comixology listing goes as far to say "18+", and the Comixology app warns you about adult content.

    As for the CBLDF crowd 'losing their freaking minds', sounds like a pretty broad generalization. Is there something specific that the 'CBLDF crowd' called for Comixology or other distributors to block distribution of?

    I personally can't think of a single case of the CBLDF advocating for any book to not be distributed, but maybe there is something I am forgetting. Actually, they often find themselves in a position to defend the legality of works that they might, personally, be repelled by. As Neil Gaiman well articulated in his essay Why Defend Freedom of Icky Speech?
    http://journal.neilgaiman.com/2008/12/why-defend-freedom-of-icky-speech.html

    An essay that the CBLDF linked to on its own website as well http://cbldf.org/2008/12/neil-gaiman-why-defend-freedom-of-icky-speech/
  • rebisrebis Posts: 1,820
    jaydee74 said:

    I've got a question and it's mostly to do with the fact that I'm not all that famliar with the characters. Did the guy with the television for a head need to have that particular scene showne shown? Is it part of his characterization? Does it move the story forward? Do people of his particular kind just like to have gay porn on their television heads? Again, I just ask cause I don't get the character so maybe someone can explain it to me because without knowing the context of the scene or the character, I could just assume it's a shocking panel for the sake of being shocking.

    I was wondering the same thing.

  • David_DDavid_D Posts: 3,884
    edited April 2013
    Regarding the question of "Did it have to be. . . ?", I think that is a somewhat fraught way to talk about creative choices. I mean, hypothetically, nothing in a work HAS to be there. Another way to do everything is possible, and can be imagined. And that is as true of a shocking choice as with a pedestrian detail of the story. Everything could be different, if you want to think of it that way. You know what I mean?

    As for the Prince character specifically, all sorts of things have appeared on his screen face in the course of his appearances in the story. It has usually seemed like a random spin through the world of recorded media. And, well, the fact is (at least in our world) a tremendous amount of porn has been created. So there would be the chance of some of that being there, as all sorts of things flash on his screen.

    Did it HAVE to be there? No. Nor did the character have to be there. Nor did anything else that happened have to happen. We could always second guess things another way.

    Personally, I think the question should be 'did it work in the story'? And that is really a question every reader has to answer for themself, in the context of the work. And if the creators of a comic are making the choices that work for you often enough- even if you might not have made the same choices- then you are reading the right comic. That is what we pay them for. If they are making choices that alienate you too often, then you are reading the wrong one. But that is something that you can only judge by reading it. I don't think a third party can judge whether something was objectively necessary or not.

    I don't think necessity is really the lens we use to judge creative work. I notice it tends to only come up when something is controversial.
  • jaydee74jaydee74 Posts: 1,526
    I suppose you have a point about things could always be done in a different way and asking yourself about whether or not if it worked for you story-wise or not. I get that but I read the issue, (I borrowed it from a friend) and to me, it just seemed random and put there for the sake of being there. I get that I don't understand the characters and I guess this book isn't for me but you can't convince me that there are times that something is put into a book for the shock value no matter what the creative team says to the contrary.

    And this isn't to say I'm a prude when it comes to this kind of stuff. I thought the sex scenes in the 6th season of Buffy fit the tone of where the character was and didn't find it random or shocking. I thought the sex scenes in Six Feet Under were important and necessary to the characterizations as well. I do think there is a place for stuff like that but I also think there are times it's thrown in there just for the sake of controversy and shock value.

    I get that art is subjective and different strokes for different folks but I think that sometimes something looks gratuitous just for the sake of it. I won't judge the intention of an artist and I would never claim to be smart enough to know the intention but there are times I look at certain books or shows and wonder was that really necessary to tell the story? Maybe it is and maybe it isn't but I know for me, it puts me off more times that it doesn't.
  • Fade2BlackFade2Black Posts: 1,457
    edited April 2013
    David_D said:



    ...As for the CBLDF crowd 'losing their freaking minds', sounds like a pretty broad generalization. Is there something specific that the 'CBLDF crowd' called for Comixology or other distributors to block distribution of?

    I personally can't think of a single case of the CBLDF advocating for any book to not be distributed, but maybe there is something I am forgetting. Actually, they often find themselves in a position to defend the legality of works that they might, personally, be repelled by. As Neil Gaiman well articulated in his essay Why Defend Freedom of Icky Speech?
    http://journal.neilgaiman.com/2008/12/why-defend-freedom-of-icky-speech.html

    An essay that the CBLDF linked to on its own website as well http://cbldf.org/2008/12/neil-gaiman-why-defend-freedom-of-icky-speech/


    I can think of one instance, though it wasn't a book. Terry Moore, along with a couple other artists (Frank Miller might have been one, though I can't credit Frank with certainty), illustrated a t-shirt advocating an end to censorship. The shirt featured a bound and gagged character (I think it might have been Francine from SiP). I actually used to the own the shirt (and may still - though it's packaged away in storage if I still do). That was back when I wore a XXL size shirt; these days I'm down to a size L. I think I own a print of it as well, and if I can dig it up, I'll post the image. Apparently the CBLDF had second thoughts after it was brought to their attention that it cast women in a poor light. So in act of self-censorship (and perhaps irony) they quickly ceased production of the shirt. I learned this from Terry when I wore the shirt to a con. He informed me the shirt was actually kind of rare for only a handful were produced, and then he proceeded to tell me why. I doubt this is common knowledge for I'm fairly certain the CBLDF wouldn't exactly advertise the fact that they were effectively censoring themselves.
  • David_DDavid_D Posts: 3,884
    jaydee74 said:

    I suppose you have a point about things could always be done in a different way and asking yourself about whether or not if it worked for you story-wise or not. I get that but I read the issue, (I borrowed it from a friend) and to me, it just seemed random and put there for the sake of being there. I get that I don't understand the characters and I guess this book isn't for me but you can't convince me that there are times that something is put into a book for the shock value no matter what the creative team says to the contrary.

    And this isn't to say I'm a prude when it comes to this kind of stuff. I thought the sex scenes in the 6th season of Buffy fit the tone of where the character was and didn't find it random or shocking. I thought the sex scenes in Six Feet Under were important and necessary to the characterizations as well. I do think there is a place for stuff like that but I also think there are times it's thrown in there just for the sake of controversy and shock value.

    I get that art is subjective and different strokes for different folks but I think that sometimes something looks gratuitous just for the sake of it. I won't judge the intention of an artist and I would never claim to be smart enough to know the intention but there are times I look at certain books or shows and wonder was that really necessary to tell the story? Maybe it is and maybe it isn't but I know for me, it puts me off more times that it doesn't.

    Fair enough. And, I agree, it is subjective.

    I will also say, though, that there may be difference between the context of reading Saga UP to issue #12- including all the earlier appearances of the TV screen headed characters- and specifically borrowing a friends copy of #12 to see what the controversy is about. You know what I mean?
  • rebisrebis Posts: 1,820
    edited April 2013
    David_D said:

    jaydee74 said:

    I suppose you have a point about things could always be done in a different way and asking yourself about whether or not if it worked for you story-wise or not. I get that but I read the issue, (I borrowed it from a friend) and to me, it just seemed random and put there for the sake of being there. I get that I don't understand the characters and I guess this book isn't for me but you can't convince me that there are times that something is put into a book for the shock value no matter what the creative team says to the contrary.

    And this isn't to say I'm a prude when it comes to this kind of stuff. I thought the sex scenes in the 6th season of Buffy fit the tone of where the character was and didn't find it random or shocking. I thought the sex scenes in Six Feet Under were important and necessary to the characterizations as well. I do think there is a place for stuff like that but I also think there are times it's thrown in there just for the sake of controversy and shock value.

    I get that art is subjective and different strokes for different folks but I think that sometimes something looks gratuitous just for the sake of it. I won't judge the intention of an artist and I would never claim to be smart enough to know the intention but there are times I look at certain books or shows and wonder was that really necessary to tell the story? Maybe it is and maybe it isn't but I know for me, it puts me off more times that it doesn't.

    Fair enough. And, I agree, it is subjective.

    I will also say, though, that there may be difference between the context of reading Saga UP to issue #12- including all the earlier appearances of the TV screen headed characters- and specifically borrowing a friends copy of #12 to see what the controversy is about. You know what I mean?
    I'll leave that to someone else. I've gone from thinking, "Hmmm. Folks seem to really like this book. Number 1 didn't do anything for me, but perhaps it's become something I'll enjoy." to "Naaaa."
  • David_DDavid_D Posts: 3,884
    edited April 2013

    David_D said:



    ...As for the CBLDF crowd 'losing their freaking minds', sounds like a pretty broad generalization. Is there something specific that the 'CBLDF crowd' called for Comixology or other distributors to block distribution of?

    I personally can't think of a single case of the CBLDF advocating for any book to not be distributed, but maybe there is something I am forgetting. Actually, they often find themselves in a position to defend the legality of works that they might, personally, be repelled by. As Neil Gaiman well articulated in his essay Why Defend Freedom of Icky Speech?
    http://journal.neilgaiman.com/2008/12/why-defend-freedom-of-icky-speech.html

    An essay that the CBLDF linked to on its own website as well http://cbldf.org/2008/12/neil-gaiman-why-defend-freedom-of-icky-speech/


    I can think of one instance, though it wasn't a book. Terry Moore, along with a couple other artists (Frank Miller might have been one, though I can't credit Frank with certainty), illustrated a t-shirt advocating an end to censorship. The shirt featured a bound and gagged character (I think it might have been Francine from SiP). I actually used to the own the shirt (and may still - though it's packaged away in storage if I still do). That was back when I wore a XXL size shirt; these days I'm down to a size L. I think I own a print of it as well, and if I can dig it up, I'll post the image. Apparently the CBLDF had second thoughts after it was brought to their attention that it cast women in a poor light. So in act of self-censorship (and perhaps irony) they quickly ceased production of the shirt. I learned this from Terry when I wore the shirt to a con. He informed me the shirt was actually kind of rare for only a handful were produced, and then he proceeded to tell me why. I doubt this is common knowledge for I'm fairly certain the CBLDF wouldn't exactly advertise the fact that they were effectively censoring themselves.
    That is an interesting one to remember and consider, and worth an insightful click.

    To me, though, there is a difference between changing your mind about what t-shirt you use to represent (and fund raise for-- remember, the CBLDF shirts are usually used as pledge incentives) YOUR OWN BRAND. . . and choosing to selectively support or not support the speech of others based on your own tastes or beliefs. The story of this t-shirt sounds to me like the former, not the latter.

    If it had been a case where a Terry Moore comic that involved a bound and gagged Francine had got him in legal trouble, and he appealed to the CBLDF for assistance, and they decided to withhold their assistance to him because they felt that he shouldn't have depicted women like that in the first place. . . then I would see the comparison.

    But what t-shirts they choose to sell, and what images they use or don't use to brand the CBLDF is a different matter. In those instances (again, where these t-shirts are there to be aids to fundraising) they want ones that people will want to buy to support them. If one of them gets a surprising or negative reaction to the audience they are trying to fundraise from, then withdrawing that shirt is not a speech decision, it is a branding decision. Sure, it may not be great optics for them.

    And certainly is a blunder to first make a shirt available, and then when it gets a different reaction than you expect, to withdraw it. But that is a blunder about what t-shirt you do or don't sell. It is not censorship. Especially as I would guess Terry Moore still owns the image, and could print it or use it however he wants. He could probably go ahead and make his own t-shirt of it (without the CBLDF logo, which I imagine he does not own). And if someone tried to abridge Moore's use of that image in a comic, I would bet the CBLDF would be there to help defend him.

    The CBLDF can defend expression without deciding that ALL expression is necessarily the best thing to put on their own merchandise.

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