Button, Button, who's got 'The Button'? WE have! Here's our take on the four-part story (Batman #21-22 and The Flash #21-22) that takes Batman and the Flash back to the Flashpoint reality and outside time itself, on the trail of answers to the questions raised by last year's DCU Rebirth Special. Quis custodiet ipsos custodes? (1:13:36)
Listen here.
Comments
As far as I can tell, there were really only two important reasons for DC to do this: 1) to remind readers about the "lost time" / Watchmen umbrella arc started last year and mostly forgotten about since, as they need to start promoting this fall's more major "Doomsday Clock" event; and 2) to compromise Batman, possibly, because he'd look like an idiot if we got to November and he *still* hadn't figured out the secret of The Button and the New52's lost time, but now we can say he was thrown/distracted/delayed by Flashpoint Thomas Wayne's urging for him to drop being Batman. By the way, am I the only one who thinks that wasn't really Flashpoint Thomas Wayne, but actually a construct of Dr. Manhattan's created merely to throw/distract/delay Batman? On the podcast, you guys implied as much when you said sidelining master-strategist Batman would be a goal of any DCU adversary. But I didn't know if you were saying that you thought Flashpoint Thomas Wayne was merely being manipulated to say what he did, or if he was entirely artificially created by Dr. M.
"After the Justice League missions, we secure the stray artifacts here."
Cool concept, right? However, it obviously wasn't a place to store "stray artifacts" from the varied enemies and threats the JLA encounter, since easily 80% of the visible items belonged to fellow superheroes or even fellow JLA members! This is my core problem with this story, and the larger Rebirth initiative in general: Rather than simply telling a story and taking us from point A to point B, DC throws in the anchor and drags this stuff out far past the point of fan forbearance...while cynically (and nonsensically) tossing in just enough "fanboy catnip" to distract us from these threadbare storylines.
"Oh, look! The Cosmic Treadmill!"
"Hey! It's Jay Garrick...OH, awwww....he disappeared again!"
"Ahhh! A Crisis scene!!!!"
And so on, and so on, etc, etc, etc.
Look...I generally love well done nostalgic moments in comics. Alan Moore and Curt Swan's "Whatever Happened to the Man of Steel?" remains one of my mountaintop comic book experiences. However, the level at which DC routinely doles out this knee-jerk nostalgia is just cynical, calculating, and, frankly, borderline a busive. We now find ourselves in the midst of the first MULTI-YEAR comic book event, and at what point do we say "enough is enough"? Ahh...but just when we're about to throw in the towel, DC tosses us Krypto, the Anti-Monitor, or some Silver Age background chachki, and we're pacified for another couple of months (in this case, until November of 2017 when Geoff Johns doles out yet another nostalgia-wrapped doggie treat).
"I'm just a puppet who can see the strings." -Dr. Manhattan