The Grumpy Old Fan at Robot 6 has an interesting column this week:
robot6.comicbookresources.com/2012/08/grumpy-old-fan-used-universes/I've been looking for a way to sum up my feelings over the New 52 and put forth some of my observations, but Tom Bondurant best expresses some of the same frustrations I've been having especially in terms of trying to feel some sort of connection to the characters. His comparison with the past year's progression of the Superman titles with John Byrne's first post-Crisis year is especially telling.
And one of the commenters below the article puts it best: "I feel like I'm at a party that I wasn't invited to."
Comments
That would be like starting the show The X-Files in the middle of season 5. Characters were thrown at us that we know, but they've changed...and we don't know how, we don't know what their new background is or anything. New books like GI Combat have done a decent job of bringing us in on the ground floor, but too many of the books were "This has been going on for a while and we'll catch you up at some point if we need to", which reeks of 90's X-Men.
I think it's why I am loving Action Comics and dropping so many other books...with Action, we are in on the ground floor as Superman is learning WHY he needs his secret identity, how he learned to use his powers and so on. You need to do those sorts of things if you are building a universe. If you just drop people in and expect them to figure it out...
Well, just look at the sales figures and decide for yourself.
One of the other problems I have with the new 52 is that most of the stories take so lo-o-o-ong to tell. Animal Man and Swamp Thing have both been the entire past year building up to the Rotworld story, and they're only now just getting to the prologue!? Forget it. My patience is exhausted there. And I haven't been very impressed with the story thus far as is.
And even a year-long story can be okay if the story is interesting enough. I was bored to tears through most of Batman's Court Of Owls storyline (and I was probably the only one who felt that way, judging by sales), but Jonathan Hickman's FF series over at Marvel has me captivated through the first three trades and I can't wait for the next one to come out. (Seriously, my jaw kept dropping at the end of every chapter in the first volume alone.)
I agree a year long story can be a lot of fun. If the story is being served. I'm seeing a lot if 3 issues stories stretched to six issues to fit the "trade" expectation that "pad" the story unnessicarily. For a $3.99 issue I do not have patience for "filler". Regardless of what Brian Michael Bendis says, people do not want the $3.99 books.
For both a retail and publishing point of view, the market is just fine with $4 comics, and while fans are complaining, they have been complaining ever since comics when from 10 cents to 12 cents.
Or, to put it another way, in the 90's, people on-line complained that there were too many X-Men books, and NO ONE gave a damn about them, yet the top 10 was usually 5 - 7 X-Men related comics....so how do you fault publishers for putting out more books like that? If 9 of the top 10 books were space operas, you'd see a lot more space operas.
He had made a statement on the ole Twitter feed the other day that since Marvel's top sellers are $3.99 books that MUST be what people want. It couldn't possibly be that Marvel has the highest price tag on their most popular books that fans buy in spite of the extra cost and they cut the smaller titles (oh I din't know like say the Defenders) out if their comics budget. No wonder a new title can't make 12 issues.
Whereas the X-Men I gave up on in the late 80's for various reasons (declining quality of writing, straying storylines, too many titles, etc) and, except for the Morrison run and the occasional cross-over with books I do buy, I haven't been back. Somehow, despite that, I don't think their sales suffered either.
I got so sick of entire issues of Xbooks that were nothing more than two characters sitting at a cafe having a conversation. Although i agree there were some great Superman stories at the time, they eventually did the same thing. Whole issues that did nothing but direct you to some other superbook you had no interest in. They just took it too far. It was a ploy that worked at first but people got wise (and sick) of it and it ultimately bit them in the butt.
Could you elaborate? I don't follow the figures and at this point I was wondering if the increase in sales ala the end justified the means rationale or you meant that sales are now declining paralleling the ultimate demise of the new 52?
thanks
Toby
Have the fellas had a one year retrospective on the new 52 like this column and the well-written article referenced at the intro? If so, please link it. If not, someone please suggest it.
I'm saddened that it's so hard to pick up a long run of the new 52 titles because ebay has the prices so inflated. So much so, that I have abandoned trying to collect a year's of a few titles that interest me for just continuing to be a silver Marvel and DC collector.
For the top books, things are fine, but once you get down the chart, the drops are pretty scary over the last 6 months usually between 15 and 30%.
And just to add, the top selling DC books? $3.99...
http://www.comicsbeat.com/2012/08/03/dc-comics-month-to-month-sales-july-2012/
To summarize, between issues 5 and 10, there were 43 New 52 titles that had sales drop by a double digit percentage. 29 of those were by 20% or greater. 12 were by 30% or greater, and 3 by greater than 40% (I am looking at you Hawkman!)
Is is still better than what it was before the reboot. Yes. Will it be in another 6 to 12 months, maybe not.