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Episode 1440 Talkback: A Cornucopia of Comics Conversation 2013

Adam_MurdoughAdam_Murdough Posts: 506
edited November 2013 in CGS Episodes & Spin-Offs
It's our annual Thanksgiving Week gobble-gobble gabfest, and we welcome a special guest to the table, our old friend Scott Powers, to partake in a bounteous banquet of babble! Topics on the menu include the passing of Nick Cardy; the return of MST3K Turkey Day; the Bat-Kid of San Francisco; recently announced comic book cancellations and revivals; a marathon of 'Muddle the Murd' misfires; and a heaping helping of TV talk (with spoiler sauce!) covering 'Arrow,' 'The Walking Dead,' 'Agents of S.H.I.E.L.D.,' and 'American Horror Story.' This one's got everything but the cranberry sauce! (1:39:47)


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Comments

  • John_SteedJohn_Steed Posts: 2,087
    it's been a year already :-O
  • MattMatt Posts: 4,457
    I wanted to add an addendum to my ending to Man of Steel input. I would have liked to see less disaster porn & some more of how Kent felt after the battle's end.

    The lack of humor until Kent's reveal makes sense. Once he found his place in the world, it makes sense he'd be smiling more.

    M
  • Adam_MurdoughAdam_Murdough Posts: 506
    edited November 2013
    Here's the Nick Cardy Wonder Woman pinup I mentioned in this episode, which alone is enough to immortalize Mr. Cardy in my fannish eyes:

    image

    Paradise Island by way of "Xanadu"! :x
  • bralinatorbralinator Posts: 5,967
    edited November 2013
  • Here's the Nick Cardy Wonder Woman pinup I mentioned in this episode, which alone is enough to immortalize Mr. Cardy in my fannish eyes:

    image

    Paradise Island by way of "Xanadu"! :x

    That was a piece he did in 1996 which he later sold as a print in the mid-2000s. I have one of the prints.
  • John_SteedJohn_Steed Posts: 2,087
    American Horror Story is huge in our home. It's radical. The leading ladies are rocking. The show is in parts pretty depraved but always amusing. The laughs come with goose bumps. Never missing an episode.
  • LibraryBoyLibraryBoy Posts: 1,803
    Only just started the episode but I have to say: Team Bailey all the way. Jan Smithers... :x

    Also, that Nick Cardy Wonder Woman print is amazing!
  • rebisrebis Posts: 1,820
    The Muddle the Murd question regarding properties that more then 1 company has published, could Tarzan be another answer to that?
  • mwhitt80mwhitt80 Posts: 4,638
    Worst Muddle the Murd ever. It reminded me of the early Stump the Rios questions when Jamie, Peter and Deemer would start sounding pissed after throwing out 2 questions and explaining the rules yet again.
  • John_SteedJohn_Steed Posts: 2,087
    edited November 2013
    mwhitt80 said:

    Worst Muddle the Murd ever. It reminded me of the early Stump the Rios questions when Jamie, Peter and Deemer would start sounding pissed after throwing out 2 questions and explaining the rules yet again.

    I kind of agree - but it should be noted that the guys have been asking for lots of new and challenging questions for a while. So send some.

    For the rules >>> http://thecomicforums.com/discussion/comment/51121/#Comment_51121
    pre-1970
    1970-2000 inclusive
    post 2000
  • mguy1977mguy1977 Posts: 801
    I enjoyed Man of Steel not as much as Superman The Movie or its two great to good sequels. But it was a welcome redux of Superman on the big screen.

    Matthew
  • rebisrebis Posts: 1,820
    I haven't seen MoS, yet. At some point, I'll see it. Probably when it gets down to the ridiculous discount. However, the more I hear the creators justify "it" and the fans defend "it", the less I want to see it.
  • MattMatt Posts: 4,457
    rebis said:

    I haven't seen MoS, yet. At some point, I'll see it. Probably when it gets down to the ridiculous discount. However, the more I hear the creators justify "it" and the fans defend "it", the less I want to see it.

    I think those are great synonyms that can be used by someone not wanting to see it (not saying those are directly your words.) I have not heard/read the creators justify "it" as much as explain their vision. I recall Morrison explaining what he wanted to do with the Batman character right before Batman & Son came out. I did not agree with his direction, but I would not say he was 'justifying it.'

    I also would not say I defend "it" anymore then someone who discusses to me why the 60s Batman TV series worked. It is a different interpretation that works for some, not all. If someone has an issue with the movie (and I know there are a bunch of people), I am not looking to defend it, just discuss it.

    There has been enough talk about the movie, especially on the forums (trust me, I've been apart of almost all of them.) I would tell you to expect to see something different from Donner's movies (wasn't that a criticism of Superman Returns?!), expect to see a very different costume, expect to see a Kent who is an outcast trying to find his place in the world, and expect a disaster porn climax. If you are shackled by the version from 20 years ago and a "purest" then expect to be disappointed. If you are open to a new interpretation (like Morrison's All-Star Superman), then you will at least have a good movie watching experience.

    M
  • rebisrebis Posts: 1,820
    edited November 2013
    Your really not helping.
  • MattMatt Posts: 4,457
    rebis said:

    Your really not helping.

    Only IF I was trying to help you! ;)

    M
  • LibraryBoyLibraryBoy Posts: 1,803
    Here's the thing about the Jonathan Kent / bus accident scene... guy's just trying to protect his kid. The man's scared that if Clark reveals himself someone will come and take him away from them, and although he knows Clark can help and understands the concepts of The Greater Good, at the end of the day he's still more concerned about the well-being of his own son, The Greater Good be damned.

    Interestingly, most of the people I personally know who had problems with this scene are people who don't have kids of their own... not saying this is true across the board, but based on people I have talked with one-on-one in person about this, that's how it has broken down. All I really know is that if I were in Jonathan Kent's shoes and it comes down to trying to protect my son or him risking exposure and all the danger that comes with it, well...

    I hope for your sake your kid's not on that bus.
  • rebisrebis Posts: 1,820
    Matt said:

    rebis said:

    I haven't seen MoS, yet. At some point, I'll see it. Probably when it gets down to the ridiculous discount. However, the more I hear the creators justify "it" and the fans defend "it", the less I want to see it.

    I think those are great synonyms that can be used by someone not wanting to see it (not saying those are directly your words.) I have not heard/read the creators justify "it" as much as explain their vision. I recall Morrison explaining what he wanted to do with the Batman character right before Batman & Son came out. I did not agree with his direction, but I would not say he was 'justifying it.'

    I also would not say I defend "it" anymore then someone who discusses to me why the 60s Batman TV series worked. It is a different interpretation that works for some, not all. If someone has an issue with the movie (and I know there are a bunch of people), I am not looking to defend it, just discuss it.

    There has been enough talk about the movie, especially on the forums (trust me, I've been apart of almost all of them.) I would tell you to expect to see something different from Donner's movies (wasn't that a criticism of Superman Returns?!), expect to see a very different costume, expect to see a Kent who is an outcast trying to find his place in the world, and expect a disaster porn climax. If you are shackled by the version from 20 years ago and a "purest" then expect to be disappointed. If you are open to a new interpretation (like Morrison's All-Star Superman), then you will at least have a good movie watching experience.

    M
    Matt said:

    rebis said:

    Your really not helping.

    Only IF I was trying to help you! ;)

    M
    I just realized something. This must be how Morrison supporters/apologists come off to those that just don't like Morrison's writing style. So, as a fan of Morrison, I want to apologize to those that, to whatever extent, I have done the above to.

  • MattMatt Posts: 4,457

    Here's the thing about the Jonathan Kent / bus accident scene... guy's just trying to protect his kid. The man's scared that if Clark reveals himself someone will come and take him away from them, and although he knows Clark can help and understands the concepts of The Greater Good, at the end of the day he's still more concerned about the well-being of his own son, The Greater Good be damned.

    Interestingly, most of the people I personally know who had problems with this scene are people who don't have kids of their own... not saying this is true across the board, but based on people I have talked with one-on-one in person about this, that's how it has broken down. All I really know is that if I were in Jonathan Kent's shoes and it comes down to trying to protect my son or him risking exposure and all the danger that comes with it, well...

    I hope for your sake your kid's not on that bus.

    I agree with what you analysis of the scene. As a fairly new parent, I don't want to see ANY kid get injured/killed, but my daughter's well-being does take priority.

    M
  • BionicDaveBionicDave Posts: 377
    edited November 2013

    Here's the thing about the Jonathan Kent / bus accident scene... guy's just trying to protect his kid. The man's scared that if Clark reveals himself someone will come and take him away from them, and although he knows Clark can help and understands the concepts of The Greater Good, at the end of the day he's still more concerned about the well-being of his own son, The Greater Good be damned.

    Interestingly, most of the people I personally know who had problems with this scene are people who don't have kids of their own... not saying this is true across the board, but based on people I have talked with one-on-one in person about this, that's how it has broken down. All I really know is that if I were in Jonathan Kent's shoes and it comes down to trying to protect my son or him risking exposure and all the danger that comes with it, well...

    I hope for your sake your kid's not on that bus.

    But here's the thing: when you know that your kid is AN INDESTRUCTIBLE ALIEN and he's also at an age where he could probably learn to save a bus load of dying kids while still keeping his secret powers hidden - and rather than help him to learn that, you instead plant the suggestion in his young mind that it may be okay to let innocents die rather than to be who you truly are? - then you are, at the very least, the worst portrayal of Jonathan Kent that's ever been written, but what you really are is a crappy father. It is no wonder that the "Man of Steel" Superman has no problem letting tens of thousands of innocents die at the end of his movie. His pa would've been just fine with that, too.

    I'm sorry - whatever you think of the rest of the film - that scene between Jonathan and young Clark is just poorly written. If it had been better written, then the tons of people like me who were bothered by it simply would not have been bothered; the idea of a man struggling to protect his son could've been presented lots of ways, with dialogue that wasn't so divisive. The great Kevin Costner can get as teary-eyed and choked up as he wants, but that doesn't mean I am going to swallow anything and everything he says as brilliant new Superman gospel. Especially when it comes across as sloppy, selfish, paranoid, and dangerous.

    And as for the bigoted idea that childless people somehow can't grasp the concept of protecting a loved one quite like someone with children can? That's not only stupid, it's grossly insulting to childless people everywhere. It's like saying women can never fully understand "Breaking Bad," because women can never fully know what it's like to be a desperate father like Walter White. Hogwash. Bad writing is bad writing. And insulting people while trying to defend it only makes it worse.
  • MattMatt Posts: 4,457
    edited November 2013

    Here's the thing about the Jonathan Kent / bus accident scene... guy's just trying to protect his kid. The man's scared that if Clark reveals himself someone will come and take him away from them, and although he knows Clark can help and understands the concepts of The Greater Good, at the end of the day he's still more concerned about the well-being of his own son, The Greater Good be damned.

    Interestingly, most of the people I personally know who had problems with this scene are people who don't have kids of their own... not saying this is true across the board, but based on people I have talked with one-on-one in person about this, that's how it has broken down. All I really know is that if I were in Jonathan Kent's shoes and it comes down to trying to protect my son or him risking exposure and all the danger that comes with it, well...

    I hope for your sake your kid's not on that bus.

    But here's the thing: when you know that your kid is AN INDESTRUCTIBLE ALIEN and he's also at an age where he could probably learn to save a bus load of dying kids while still keeping his secret powers hidden - and rather than help him to learn that, you instead plant the suggestion in his young mind that it may be okay to let innocents die rather than to be who you truly are? - then you are, at the very least, the worst portrayal of Jonathan Kent that's ever been written, but what you really are is a crappy father. It is no wonder that the "Man of Steel" Superman has no problem letting tens of thousands of innocents die at the end of his movie. His pa would've been just fine with that, too.

    I'm sorry - whatever you think of the rest of the film - that scene between Jonathan and young Clark is just poorly written. If it had been better written, than the tons of people like me who were bothered by it simply would not have been bothered; the idea of a man struggling to protect his son could've been presented lots of ways, with dialogue that wasn't so divisive. The great Kevin Costner can get as teary-eyed and choked up as he wants, but that doesn't mean I am going to swallow anything and everything he says as brilliant new Superman gospel. Especially when it comes across as sloppy, selfish, paranoid, and dangerous.

    And as for the bigoted idea that childless people somehow can't grasp the concept of protecting a loved one quite like someone with children can? That's not only stupid, it's grossly insulting to childless people everywhere. It's like saying women can never fully understand "Breaking Bad," because women can never fully know what it's like to be a desperate father like Walter White. Hogwash. Bad writing is bad writing. And insulting people while trying to defend it only makes it worse.
    Few things: did Klarion's parents think the same? Let the kid go with his powers...he might just save the world at age 13?

    Second, its a theory based on a small sample size. Assuming your outlook on life & situation won't change once you have a child is as much a fallacy as what you're accusing this theory to be.

    Thirdly, Pa Kent had NO question Clark was indestructible, right? Sure he seems that way now, but there's never a question of his unknown, alien body growing out of it? I recall growing up seeing pain & injuries being short lived. Pull a muscle now...no issue by tonight. In my 30s, however, I'm finding that not to be the case.

    For all Pa knew, by the age of 18, Clark's body has truly adapted to Earth & he's stripped of the powers. Now, he's no longer able to save the world like he has been, PLUS he's exposed to being locked away as an alien spending the rest of his life being examined. It's hardly selfish. Selfish would be Pa wanting Clark to only help him gain profit. This is protecting him.

    (You lost me with "sloppy".)

    HAVING great power doesn't mean you automatically are ready to use them. Its one of the reason I enjoyed Batman's attitude toward some of the other, younger & superpowered heroes.

    Forth, is it bad writing or writing you don't agree with? There is a difference, trust me. Everytime I proclaim my distaste for the 60s Batman series or Batman's portrayal since Morrison (both of which I don't agree with), I get lambasted about it.

    I enjoyed the writing of the majority of the movie. Sure there were changes I didn't like. Sure I would've liked to see some scenes go a different way, but the elements of the character are still there.

    Do you really think if THIS scenario (an alien revealed among us with super powers) was a reality, society would instantly embrace him/her? The masses wouldn't fear him? The government wouldn't want to examine him? Isn't that part of what happened in the movie? Looks as though Pa's "paranoid & dangerous" mindset wasn't so.

    In fact, that's something that always bothered me with Donner's movie. This guy has superpowers, saves a couple people and is instantly beloved. Really? I've read How To Serve Man. Saving/helping people doesn't lower my suspicions. If that makes me paranoid, then I'll wear that self-awareness with honor.

    Quick question...after the Kryptonian ship started drilling into Metropolis, did everyone in the high rises definitely NOT evacuate? Those buildings Kent & Zod crashed though were all heavily populated with people at the time? That's a fact, right? I mean, in Avengers, I clearly recall a scene where Hulk is running through an office populated with people right before jumping through a window and onto the floating alien. I cannot say I recall an building Kent & Zod entered that had people within at the time besides Grand Station.

    I do recall in Superman II, the fight had more exposition then, you know, fighting. Based on the hail maker/wild swings of Kent & the more procision fighting style of Zod, I don't see this Superman being capable of fighting off a more formidable foe a AND rescue people. He did seem to be trying to get out of populated areas, but Zod kept bringing them back.

    Up until this movie, I never really cared for Superman, so I'm not certain about his full mythos. In all of the previous 1st encounters with Zod or Kryptonian villains, did Kent JUST start out (like in this movie) or had he fought superpowered foes prior?

    Finally, I've said this before many times, if you think Pa's fathering based on that scene was shitty, then I'll wait for Child Services to arrive at my house. I would've provided the same thought-provoking advice. I want my children to think things through & not just jump in head first. Since Pa never said "Yes Clark, you should've let them die" or visibly scold Clark on his decision, I refuse to believe Pa thought Clark should've done nothing.

    M
  • PeterPeter Posts: 470
    I like the different interpretation of both fathers in this movie. Both want things of their son that they could never predict. They have no precedent to truly see their son's future. One sees him as a god. The other sees him as potential for humans to never leave him alone. In essence, unlike previous incarnations, they have flaws and are limited. And this Clark will be more than them both. More than Kryptonian, more than human. His potential is to be greater than his fathers' wishes. Because he's not just a man or a god. He's Superman.

    No one says Pa Kent always has to be a saint. Hell, in an early version they dropped Kal-El's ass off at an orphanage first. All to say: there is no one way to write any of these characters. And there most certainly isn't a 'right' way - that's only allowable if you're writing/directing the movie yourself. :)
  • David_DDavid_D Posts: 3,884
    edited November 2013
    As I said before- Pa Kent is the true villain of MofS. He is the main antagonist to the world having a Superman. (And like the best villains, his motivations are totally grounded and relatable. Human.)

    Which is a pretty interesting idea, and I liked the way they paralleled he and Jor-El. I just wished they gave Pa a little more screen time and better text to make his argument with. But the idea is a good one.

    And I also wish that Clark's decision to go public was made after a scene with Ma, to give her more to do, rather than that completely tepid and pandering scene with the priest.

    EDIT- and before a conclusion is jumped to, I am not saying that there should not have been faith in the film. Rather, that the Kent's relationship to their faith had not been established in the movie. We had no idea what Clark's relationship to that priest was, and it didn't help that they cast a CW aged actor in the role that it wasn't like we could assume that this was someone Clark had the counsel of his whole life. Did the Kent's let the priests or ministers in their life into their big secret? We don't know. But what we do know at that point is Clark's relationship to Ma, so to me having him seek counsel from this out-of-nowhere young priest instead of her seemed the weaker choice.

    And also felt like a shrewd marketing move, as WB marketed MofS directly to some churches and religious groups, encouraging them to have group outings to the film and discussions or sermons around it, so that scene felt like a pander to that program.

    So if Clark's faith is an important part of his becoming Superman, great, but that would have needed to be established and built on earlier in the film for me. Then it would not have felt like a tossed-off pander.
  • MattMatt Posts: 4,457
    David_D said:

    As I said before- Pa Kent is the true villain of MofS. He is the main antagonist to the world having a Superman. (And like the best villains, his motivations are totally grounded and relatable. Human.)

    Which is a pretty interesting idea, and I liked the way they paralleled he and Jor-El. I just wished they gave Pa a little more screen time and better text to make his argument with. But the idea is a good one.

    And I also wish that Clark's decision to go public was made after a scene with Ma, to give her more to do, rather than that completely tepid and pandering scene with the priest.

    EDIT- and before a conclusion is jumped to, I am not saying that there should not have been faith in the film. Rather, that the Kent's relationship to their faith had not been established in the movie. We had no idea what Clark's relationship to that priest was, and it didn't help that they cast a CW aged actor in the role that it wasn't like we could assume that this was someone Clark had the counsel of his whole life. Did the Kent's let the priests or ministers in their life into their big secret? We don't know. But what we do know at that point is Clark's relationship to Ma, so to me having him seek counsel from this out-of-nowhere young priest instead of her seemed the weaker choice.

    And also felt like a shrewd marketing move, as WB marketed MofS directly to some churches and religious groups, encouraging them to have group outings to the film and discussions or sermons around it, so that scene felt like a pander to that program.

    So if Clark's faith is an important part of his becoming Superman, great, but that would have needed to be established and built on earlier in the film for me. Then it would not have felt like a tossed-off pander.

    Looks like I'll be shelving my plans to watch Marvel's Agents of SHIELD this weekend to watch MoS. I could've sworn a character named Zod was ripping through Metropolis once his sole purpose, preserving Krypton, was taken away.

    M
  • David_DDavid_D Posts: 3,884
    edited November 2013
    Matt said:

    David_D said:

    As I said before- Pa Kent is the true villain of MofS. He is the main antagonist to the world having a Superman. (And like the best villains, his motivations are totally grounded and relatable. Human.)

    Which is a pretty interesting idea, and I liked the way they paralleled he and Jor-El. I just wished they gave Pa a little more screen time and better text to make his argument with. But the idea is a good one.

    And I also wish that Clark's decision to go public was made after a scene with Ma, to give her more to do, rather than that completely tepid and pandering scene with the priest.

    EDIT- and before a conclusion is jumped to, I am not saying that there should not have been faith in the film. Rather, that the Kent's relationship to their faith had not been established in the movie. We had no idea what Clark's relationship to that priest was, and it didn't help that they cast a CW aged actor in the role that it wasn't like we could assume that this was someone Clark had the counsel of his whole life. Did the Kent's let the priests or ministers in their life into their big secret? We don't know. But what we do know at that point is Clark's relationship to Ma, so to me having him seek counsel from this out-of-nowhere young priest instead of her seemed the weaker choice.

    And also felt like a shrewd marketing move, as WB marketed MofS directly to some churches and religious groups, encouraging them to have group outings to the film and discussions or sermons around it, so that scene felt like a pander to that program.

    So if Clark's faith is an important part of his becoming Superman, great, but that would have needed to be established and built on earlier in the film for me. Then it would not have felt like a tossed-off pander.

    Looks like I'll be shelving my plans to watch Marvel's Agents of SHIELD this weekend to watch MoS. I could've sworn a character named Zod was ripping through Metropolis once his sole purpose, preserving Krypton, was taken away.

    M
    I didn't say Pa Kent was the *only* villain in the film. But Zod was just a thug chasing a McGuffin.

    Pa Kent was the more interesting villain- the one that would have prevented Superman from coming to be in the first place.
  • MattMatt Posts: 4,457
    David_D said:

    Matt said:

    David_D said:

    As I said before- Pa Kent is the true villain of MofS. He is the main antagonist to the world having a Superman. (And like the best villains, his motivations are totally grounded and relatable. Human.)

    Which is a pretty interesting idea, and I liked the way they paralleled he and Jor-El. I just wished they gave Pa a little more screen time and better text to make his argument with. But the idea is a good one.

    And I also wish that Clark's decision to go public was made after a scene with Ma, to give her more to do, rather than that completely tepid and pandering scene with the priest.

    EDIT- and before a conclusion is jumped to, I am not saying that there should not have been faith in the film. Rather, that the Kent's relationship to their faith had not been established in the movie. We had no idea what Clark's relationship to that priest was, and it didn't help that they cast a CW aged actor in the role that it wasn't like we could assume that this was someone Clark had the counsel of his whole life. Did the Kent's let the priests or ministers in their life into their big secret? We don't know. But what we do know at that point is Clark's relationship to Ma, so to me having him seek counsel from this out-of-nowhere young priest instead of her seemed the weaker choice.

    And also felt like a shrewd marketing move, as WB marketed MofS directly to some churches and religious groups, encouraging them to have group outings to the film and discussions or sermons around it, so that scene felt like a pander to that program.

    So if Clark's faith is an important part of his becoming Superman, great, but that would have needed to be established and built on earlier in the film for me. Then it would not have felt like a tossed-off pander.

    Looks like I'll be shelving my plans to watch Marvel's Agents of SHIELD this weekend to watch MoS. I could've sworn a character named Zod was ripping through Metropolis once his sole purpose, preserving Krypton, was taken away.

    M
    I didn't say Pa Kent was the *only* villain in the film. But Zod was just a thug chasing a McGuffin.

    Pa Kent was the more interesting villain- the one that would have prevented Superman from coming to be in the first place.
    Can I still shelve my plans to watch Marvel's Agents of SHIELD this weekend?!

    M
  • David_DDavid_D Posts: 3,884
    edited November 2013
    Matt said:

    David_D said:

    Matt said:

    David_D said:

    As I said before- Pa Kent is the true villain of MofS. He is the main antagonist to the world having a Superman. (And like the best villains, his motivations are totally grounded and relatable. Human.)

    Which is a pretty interesting idea, and I liked the way they paralleled he and Jor-El. I just wished they gave Pa a little more screen time and better text to make his argument with. But the idea is a good one.

    And I also wish that Clark's decision to go public was made after a scene with Ma, to give her more to do, rather than that completely tepid and pandering scene with the priest.

    EDIT- and before a conclusion is jumped to, I am not saying that there should not have been faith in the film. Rather, that the Kent's relationship to their faith had not been established in the movie. We had no idea what Clark's relationship to that priest was, and it didn't help that they cast a CW aged actor in the role that it wasn't like we could assume that this was someone Clark had the counsel of his whole life. Did the Kent's let the priests or ministers in their life into their big secret? We don't know. But what we do know at that point is Clark's relationship to Ma, so to me having him seek counsel from this out-of-nowhere young priest instead of her seemed the weaker choice.

    And also felt like a shrewd marketing move, as WB marketed MofS directly to some churches and religious groups, encouraging them to have group outings to the film and discussions or sermons around it, so that scene felt like a pander to that program.

    So if Clark's faith is an important part of his becoming Superman, great, but that would have needed to be established and built on earlier in the film for me. Then it would not have felt like a tossed-off pander.

    Looks like I'll be shelving my plans to watch Marvel's Agents of SHIELD this weekend to watch MoS. I could've sworn a character named Zod was ripping through Metropolis once his sole purpose, preserving Krypton, was taken away.

    M
    I didn't say Pa Kent was the *only* villain in the film. But Zod was just a thug chasing a McGuffin.

    Pa Kent was the more interesting villain- the one that would have prevented Superman from coming to be in the first place.
    Can I still shelve my plans to watch Marvel's Agents of SHIELD this weekend?!

    M
    Yes.

    You have my blessing. Go in peace, and watch things that you will like more. ;)
  • What? Marvel's Agents of SHIELD is actually an awesome show! If you don't think so, it's just because you don't understand, because you probably have never worked for a government agency charged with protecting the world from supernatural threats. There's just no way you can appreciate the brilliant, heartfelt writing of this series.
  • MattMatt Posts: 4,457
    edited November 2013

    What? Marvel's Agents of SHIELD is actually an awesome show! If you don't think so, it's just because you don't understand, because you probably have never worked for a government agency charged with protecting the world from supernatural threats. There's just no way you can appreciate the brilliant, heartfelt writing of this series.

    Due to confidentiality clauses, I am not permitted to talk about certain "gaps" in my resume. Some agencies are still kept under wraps. I can admit, I've not seen or worked with government agencies where the logo or initials (such as FBI) are plastered all over the vehicles & equipment. Definitely not the covert ones.

    M
  • Murd, I think was musing on the episode about why series like Young Avengers and Fearless Defenders were getting canceled. I think its sales, and I think its due to a new era of even greater decompression. A lot of people complained circa 200 about the rise in writing for the trade and the death of the done-in-one. While a lot of 3 issue arcs were inflated to 6 issues, some stories got some needed room to breathe. The problem lately has been that too man authors have started taking a classicist approach to storytelling, using the 3 act structure, to where a single arc of six issues is one act. While the characterization in Fearless Defenders was great, I quite frankly got bored of Caroline LeFey. 2 arcs, 111 issues and they're still just fighting her. Same thing in Young Avengers. 11 issues and their still running around from 'Mother'? While I think Marvel has some talented writers working for them, they overreach in terms of story structure and overestimate the attention span of their audience. And I'm sorry, but I think Young Avengers is the worse of the two. Keiron Gillen only seems to have a handle on Loki as a character, and it seems like because of his history with him, he's afraid to spotlight him.
  • I tend to agree with what @gothamkid just wrote, especially re:Young Avengers. I genuinely like Keiron Gillen's character and dialogue style (and McKelvie's art is great), and I'd been supporting this title from issue #1. But this Mother plot has been a mess that just won't end. It's gone on way too long, and has strayed into such abstract territory that I have no clue where and how - and why - the book's battles are happening. Maybe Marvel is suffering from the exact opposite problem DC is; while the latter is over-edited, the former seems under-edited.
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