Because I despise the canceled comics thread and the deathwatch-like attitude it spews, let's rectify the situation and put our energies towards pointing readers to new first issues of comics (not trades, not ogns) in order to support them and their growth from the start.
First up - today's release of PRETTY DEADLY #1 from Image Comics by Kelly Sue DeConnick and Emma Rios (no relation). Haven't read it yet, but the artwork is lovely to pour over.
https://www.imagecomics.com/comics/releases/pretty-deadly-1http://steinerfrommars.tumblr.com/Other new number ones this week:
CONAN PEOPLE OF THE BLACK CIRCLE #1 (Dark Horse)
http://www.darkhorse.com/Comics/24-074/Conan-and-the-People-of-the-Black-Circle-1BEWARE THE BATMAN #1 (DC)
http://www.dccomics.com/comics/beware-the-batman-2013/beware-the-batman-1SAMURAI JACK #1 (IDW)
http://www.previewsworld.com/Home/1/1/71/952?stockItemID=AUG130368VELVET #1 (Image)
https://www.imagecomics.com/comics/releases/velvet-1DEPT OF MONSTEROLOGY 1 (Renegade Arts)
http://www.renegadeartsentertainment.com/dept-of-monsterologyWhat did you get? What looks interesting? Discussion should be about these comics or any new ongoing #1s that are missing from the weekly list. Everything else is off-topic. Spread the word if something on here is something you want to see stick around!
Comments
I haven't read them yet but I'm most excited for Velvet. Two of my favorite creators teaming up again. Impossible for me to pass up.
Samurai Jack was a great cartoon and I'm hoping this comic can tap into that same action and fun.
Pretty Deadly is a book that I'm giving a chance because of the artist. I really enjoyed her work on a Doctor Strange mini she did a few years back. Kelly Sue DeConnick hasn't impressed me with her work for Marvel but maybe I'll enjoy what she does away from superheroes.
ASH AND THE ARMY OF DARKNESS 1:
http://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513020928300111
DAMIAN SON OF BATMAN 1:
http://www.dccomics.com/comics/damian-son-of-batman-2013/damian-son-of-batman-1
FOREVER EVIL: A.R.G.U.S. 1:
http://www.dccomics.com/comics/forever-evil-argus-2013/forever-evil-argus-1
THE FOX 1:
http://archiecomics.stores.yahoo.net/fox5ismise.html
REX ZOMBIE KILLER 1
http://www.rexzombiekiller.com/
SANDMAN OVERTURE 1:
http://www.vertigocomics.com/comics/the-sandman-overture-2013/the-sandman-overture-1
THOR CROWN OF FOOLS 1:
http://marvel.com/comics/issue/48274/thor_crown_of_fools_2013_1
WILDWORK 1:
http://www.antarctic-press.com/html/version_01/viewitem.php?id=6096&bk=
A digital book from Monkeybrain also came out this week that looks pretty good.
monkeybraincomics.com/2013/10/30/the-double-life-of-miranda-turner-1/
Matthew
I read the first issue of Three by Kieron Gillen. A very historic look at Sparta..as opposed to Miller's..and it might remove any heroic notions you might have about Spartans.
Samurai Jack felt just like an episode of the cartoon. Great action and a story that sets Jack on a quest that might help him finally travel back to his own time.
Velvet is on the top of my reading pile for tomorrow.
Actually that was kinda what I was hoping for, but after reading Velvet I realized that this was also something I really wanted. Not nearly enough Spy-fi on the comic rack these days.
That Japanese roughly translates to "No Matter How I Look at it, It's You Guys' Fault I'm Not Popular". Fifteen-year-old Tomoko Kuroki believed that she would become popular upon entering high school because she'd become well-versed in the world of otome games (dating sims, etc.). In reality, she finds that she has become an unsociable loner and she is forced to take a long hard look at herself for the first time in years. The story follows Tomoko as she attempts to improve her social status as she progresses through high school.
This book hit the shelves last week and if your cup of tea is a protagonist so comicly pathetic that you keep thinking things can't get any worse for her (then they do)...this is your book. It's an underhanded swipe at many anime/manga tropes (ex. In her games she sees that characters who show no emotion are popular (think Rei from Evangelion) so she goes through her day trying to show ZERO emotion...it doesn't quite go as planned).
I know manga isn't everyone's thing...the boom may have come and gone...but in its wake the publishers that are still around are focusing on licensed titles for an older crowd now (their original fanbase grew up, eh? Sound familiar?) So we're seeing a lot more variety on the shelves than ever before. It's not just two people fighting for 180 pages anymore...
;)
...anymore...
...as far as you know. ;)
(In all seriousness, yes, this one's safe for work...the humor content is the real thing here...you'll never read a more pathetic character in your life...much less laugh your ass off at her).
ALEX + ADA 1:
https://www.imagecomics.com/comics/releases/alex-ada-1
AMAZING X-MEN 1:
http://marvel.com/news/story/21308/take_a_sneak_peek_at_amazing_x-men_1
CATACLYSM: THE ULTIMATES LAST STAND 1:
http://marvel.com/comics/issue/48401/cataclysm_the_ultimates_last_stand_2013_1
DRUMHELLAR 1:
https://www.imagecomics.com/comics/releases/drumhellar-1
GHOST COP 1:
http://www.antarctic-press.com/html/version_01/viewitem.php?id=6095&bk=
LEGENDS OF RED SONJA 1:
http://dynamite.com/htmlfiles/viewProduct.html?PRO=C72513020929000111
LONGSHOT SAVES THE MARVEL UNIVERSE 1:
http://marvel.com/comics/issue/49064/longshot_saves_the_marvel_universe_2013_1
PAINKILLER JANE: PRICE OF FREEDOM 1:
http://www.paperfilms.com/category/comics/painkiller-jane/
PROTECTORS, INC. 1:
https://www.imagecomics.com/comics/releases/protectors-inc-1
SHAHRAZAD 1:
http://www.previewsworld.com/Home/1/1/71/977?articleID=139651
I am becoming more and more of a fan of Kieron Gillen. His and Ryan Kelly's Three has a really interesting intent, as explained in the backmatter, but the story and characters of the first issue didn't really grab me. I will probably try one or two more issues to give it a chance, but the first issue felt a little like he was so in love with the research he had done, and in trying to establish the time, place, and culture (including pushing back against what we think of Spartans based on other works) that the characters weren't given as much attention to form. We'll see.
ALL NEW SOULFIRE #1:
http://aspencomics.com/the-magic-returns/
CATACLYSM: ULTIMATE SPIDER-MAN #1:
http://marvel.com/comics/issue/48406/cataclysm_ultimate_comics_spider-man_2013_1
CLOWN FATALE #1:
http://www.darkhorse.com/Comics/23-696/Clown-Fatale-1
LEGION OF MOLLY DOVES #1:
https://www.facebook.com/TheLegionOfMollyDoves
MANIFEST DESTINY #1:
https://www.imagecomics.com/comics/releases/manifest-destiny-1
MARVEL KNIGHTS X-MEN #1:
http://marvel.com/comics/issue/47735/marvel_knights_x-men_2013_1
NOIR #1:
http://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513020931300111
PROTOCOL: ORPHANS #1:
http://www.boom-studios.com/singles/protocol-01.html
UNITY #1:
http://valiantuniverse.com/2013/08/28/first-look-unity-1-the-cant-miss-comic-event-of-2013-starts-here/
and my pick of the bunch:
UMBRAL #1:
https://www.imagecomics.com/comics/releases/umbral-1
Also, and this may be too much of an inside baseball digression, but I have to admit that books from Skybound rub me the wrong way-- it seems that this is the imprint that Kirkman has built to invite other writers to, like him, be credited as the sole creators of a comic. Surely artists are being paid, and for all I know being paid very well and given great royalties, I have no insight into that-- but it is definitely the imprint where a writer can be the only one granted the title of "creator" of a new work of comics: A world, and new characters, even if they didn't draw, or perhaps didn't even design, a thing. That doesn't feel right to me. And, hell, in the case of Thief of Thieves, you can be the sole "Creator" when you aren't even scripting the issues OR drawing them.
And these books, in the indicia, are wholly the property of Skybound. So- if I read this indicia right- that unlike many other Image books, as well as even many of the creator owned works at Vertigo, Icon, Dynamite, Boom, Dark Horse, Avatar, and others, these are books where you can be the capital-C Creator, but not the owner.
So, it seems, that Kirkman has created a place for creators to do the sort of work that is what he told creators they shouldn't take back in his manifesto in 2008. And that just rubs me the wrong way. Whatever little button in my brain that makes me feel good about buying a creator-owned book, like most Image books, is not pressed by Skybound.
I bought Umbral, looking forward to reading that on the weekend. Looked like too meaty of a read for the subway.
Now, to be fair, I don't know what deals those working (but it seems, not owning) for Skybound have. Likely much better than how some of the people assigned to imitate the Image founders got treated.
But it all seems a but like the end of Orwell's Animal Farm to me. It does not prohibit me buying Skybound books (just as it doesn't prevent me from buying licensed books, or other work-for-hire). But it is definitely something I notice. And I always get a beter feeling when I check the indicia and see the main creators of the book also credited as the owners. To me, THAT feels like creator owned comics.
Anyway, back to the first issues. . .